Guildenstern wrote:Also if we want stuff welded to the cars, we have to supply the stuff and the welder. The Arc Angel isn't a race regular anymore, and they have their packing and logistics down to the point that they can't drag a ton of stuff with them to every event. So stuff like that and evil time wasting penalties have to be procure on sight.
Same with people who wish there was a live running timing and scoring screen. The means to get that from track to track is just too high with too much risk of failure.
It's a pain in the ass to schlep a big TV, computer and extra monitors to the track but I do it at CMP, and I'd do it at Barber if I had a way to get a good signal from timing and scoring. It really depends on the judges... Matt Adair hated it the one time he judged CMP, but I think "the regulars" like it because it keeps people out of their hair, and the attraction keeps the vibe up at the judge's station/HQ.
I've got a friend who used to have a proper TV truck, and one time a few years ago he asked if there'd be any interest in bringing it to CMP to do live coverage of a race. And we're talking real TV - 12 cameras, 96 channels of audio, multiple graphics packages, etc... and I talked him out of it, because it wouldn't be worth the $500 in fuel he'd burn getting there and back. I had had a discussion with Jay about it at a prior race, and we both agreed that there wasn't really a market for it, because all those cameras aren't free, people to run them aren't free, people to schlep tens of thousands of cables aren't free, someone to produce/direct the show (even if it's a tight ship with one guy doing the switching, graphics, audio, etc. like we used to do) isn't free, a roving paddock reporter to tell all those interesting stories isn't free, and on and on.
We kinda saw this a year or two ago when Spank tried to be the "man in the pits" streaming with a phone... to cover this size of a spectacle, you need multiple "segment producers" running around getting leads, writing down details, keeping track of locations, names, car numbers, etc. ad nauseam. Live TV is hard work.
Streaming to the internet isn't an option at most tracks, because mobile data is expensive if it's even available. I've got AT&T and I have to drive around looking for one bar at CMP, for example. MSR Houston wasn't much better. And CMP's got "broadband" internet with paddock wifi, but their pipe is like 1.5/256k DSL, which is probably the best they'll be able to get out there for the next decade.
By way of comparison, we used to cover the US national speed skating championships, and we streamed exclusively online. We charged (as I recall) $40 for the week, and uploaded a 768kbps 540p video stream. We burned through hundreds of gigs of data, but that's not the point. At our peak, with more than 2,000 competitors, constant short-race action, a VERY talented color commentary team (think Speedycop and Spank doing live commentary over a race) and all sorts of glossy shit like graphics for names and times, superimposed clocks, instant replay, finish-line cameras, the works, with a team of 6 people. 4 of those were standing behind a camera for 14 hours a day, and the other two of us were inside a 40x8' windowless metal box with 8 tons of AC to keep it below 80 degrees. It's A LOT of work... and there, at our peak, we had about 1500 people subscribe. That's one week a year. Imagine trying to do it two or three times a month.
Official photographer/Team Police Brutality|Speedycop & the Gang
Lackey-mechanic-whatever/NSF Racing
Sycophant/Judge Phil, Jay Lamm, Kim Harmon
Galaxie Driver/not Parnelli Jones